Serenata
The night soaks itself
along the shore of the river
and in Lolita's breasts
the branches die of love.
The branches die of love.
Naked the night sings
above the bridges of March.
Lolita bathes her body
with salt water and roses.
The branches die of love.
The night of anise and silver
shines over the rooftops.
Silver of streams and mirrors
Anise of your white thighs.
The branches die of love.
Federico García Lorca
Ciao Bella-The Most Romantic Poems
Federico García Lorca,Pablo Neruda,Anna Akhmatova,Andre Breton,Vladimir Mayakovsky,Sohrab Sepehri,Paul Celan, Forugh Farrokhzad, A. Shamlou,Pushkin,Hafez -e Shirazi,Bertolt Brecht,Langston Hughes,Osip Mandelstam,,DH Lawrence,Aleksandr Blok,Paul Eluard....
Thursday, May 17, 2012
The Rain
I saw the Glorious Lady of my love
Standing above the throne of the earth
At the gates of the lilac park
thinking about the raining days.
And then
I saw the Glorious Lady of my love
Standing above the throne of the earth
At the gates of the deluge of the lilies
And her lilac robe was in dance
In hands of the wind.
And then
I saw the Glorious Lady of my love
At the gates of the lilies
Returning from her perilous heavenly journey.
Thursday, January 26, 2012
Sonnet XXV
Before I loved you, love, nothing was my own:
I wavered through the streets, among Objects:
Nothing mattered or had a name:
The world was made of air, which waited.
I knew rooms full of ashes,
Tunnels where the moon lived,
Rough warehouses that growled 'get lost',
Questions that insisted in the sand.
Everything was empty, dead, mute,
Fallen abandoned, and decayed:
Inconceivably alien, it all
Belonged to someone else - to no one:
Till your beauty and your poverty
Filled the autumn plentiful with gifts.
Pablo Neruda
Before I loved you, love, nothing was my own:
I wavered through the streets, among Objects:
Nothing mattered or had a name:
The world was made of air, which waited.
I knew rooms full of ashes,
Tunnels where the moon lived,
Rough warehouses that growled 'get lost',
Questions that insisted in the sand.
Everything was empty, dead, mute,
Fallen abandoned, and decayed:
Inconceivably alien, it all
Belonged to someone else - to no one:
Till your beauty and your poverty
Filled the autumn plentiful with gifts.
Pablo Neruda
Morning (Sonnet XXVII)
Naked you are simple as one of your hands;
Smooth, earthy, small, transparent, round.
You've moon-lines, apple pathways
Naked you are slender as a naked grain of wheat.
Naked you are blue as a night in Cuba;
You've vines and stars in your hair.
Naked you are spacious and yellow
As summer in a golden church.
Naked you are tiny as one of your nails;
Curved, subtle, rosy, till the day is born
And you withdraw to the underground world.
As if down a long tunnel of clothing and of chores;
Your clear light dims, gets dressed, drops its leaves,
And becomes a naked hand again.
Pablo Neruda
Naked you are simple as one of your hands;
Smooth, earthy, small, transparent, round.
You've moon-lines, apple pathways
Naked you are slender as a naked grain of wheat.
Naked you are blue as a night in Cuba;
You've vines and stars in your hair.
Naked you are spacious and yellow
As summer in a golden church.
Naked you are tiny as one of your nails;
Curved, subtle, rosy, till the day is born
And you withdraw to the underground world.
As if down a long tunnel of clothing and of chores;
Your clear light dims, gets dressed, drops its leaves,
And becomes a naked hand again.
Pablo Neruda
Over the Eyelids of Night
It was a flowing night.
From beneath the spruce trees,
The stream was flowing to far beyond.
The moonlight was illuminating the valley
And the mountain so bright that God could be seen.
We were on the heights.
Far beyond, invisible; surfaces, washed;
And glance, more amorous than ever before.
You handed me the green stalk of a message
And your breath quietly cracked
The Terracotta of Familiarity.
Our heartbeats pouring down the rocks
From an old wine, the summer’s sands flowing in veins
And the Moonlight enameling your behavior
You were wonderful free, and down-to-earth.
The Green Fortune of Life mingled
With the cool mountain air.
Shadows returned
And pennyroyals danced
With the breeze
And ecstasies mingled together.
Sohrab Sepehri
It was a flowing night.
From beneath the spruce trees,
The stream was flowing to far beyond.
The moonlight was illuminating the valley
And the mountain so bright that God could be seen.
We were on the heights.
Far beyond, invisible; surfaces, washed;
And glance, more amorous than ever before.
You handed me the green stalk of a message
And your breath quietly cracked
The Terracotta of Familiarity.
Our heartbeats pouring down the rocks
From an old wine, the summer’s sands flowing in veins
And the Moonlight enameling your behavior
You were wonderful free, and down-to-earth.
The Green Fortune of Life mingled
With the cool mountain air.
Shadows returned
And pennyroyals danced
With the breeze
And ecstasies mingled together.
Sohrab Sepehri
Wednesday, January 25, 2012
it is at moments after I have dreamed
it is at moments after i have dreamed
of the rare entertainment of your eyes,
when(being fool to fancy)i have deemed
with your peculiar mouth my heart made wise;
at moments when the glassy darkness holds
the genuine apparition of your smile
(it was through tears always)and silence moulds
such strangeness as was mine a little while;
moments when my once more illustrious arms
are filled with fascination,when my breast
wears the intolerant brightness of your charms:
one pierced moment whiter than the rest
-turning from the tremendous lie of sleep
i watch the roses of the day grow deep.
e.e. cummings
it is at moments after i have dreamed
of the rare entertainment of your eyes,
when(being fool to fancy)i have deemed
with your peculiar mouth my heart made wise;
at moments when the glassy darkness holds
the genuine apparition of your smile
(it was through tears always)and silence moulds
such strangeness as was mine a little while;
moments when my once more illustrious arms
are filled with fascination,when my breast
wears the intolerant brightness of your charms:
one pierced moment whiter than the rest
-turning from the tremendous lie of sleep
i watch the roses of the day grow deep.
e.e. cummings
Sunday, January 22, 2012
If You Forget Me
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
Pablo Neruda
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
Pablo Neruda
Saturday, January 21, 2012
The Absence
I speak to you across cities
I speak to you across plains
My mouth is upon your pillow
Both faces of the walls come meeting
My voice discovering you
I speak to you of eternity
O cities memories of cities
Cities wrapped in our desires
Cities come early cities come lately
Cities strong and cities secret
Plundered of their master's builders
All their thinkers all their ghosts
Fields pattern of emerald
Bright living surviving
The harvest of the sky over our earth
Feeds my voice I dream and weep
I laugh and dream among the flames
Among the clusters of the sun
And over my body your body spreads
The sheet of it's bright mirror.
Paul Eluard
I speak to you across cities
I speak to you across plains
My mouth is upon your pillow
Both faces of the walls come meeting
My voice discovering you
I speak to you of eternity
O cities memories of cities
Cities wrapped in our desires
Cities come early cities come lately
Cities strong and cities secret
Plundered of their master's builders
All their thinkers all their ghosts
Fields pattern of emerald
Bright living surviving
The harvest of the sky over our earth
Feeds my voice I dream and weep
I laugh and dream among the flames
Among the clusters of the sun
And over my body your body spreads
The sheet of it's bright mirror.
Paul Eluard
Your Feet
When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.
Pablo Neruda
When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.
Pablo Neruda
Saturday Paseo: Adelina
Oranges
do not grow in the sea
neither is there love in Sevilla.
You in Dark and the I the sun that's hot,
loan me your parasol.
I'll wear my jealous reflection,
juice of lemon and lime-
and your words,
your sinful little words-
will swim around awhile.
Oranges
do not grow in the sea,
Ay, love!
And there is no love in Sevilla!
Federico García Lorca
Oranges
do not grow in the sea
neither is there love in Sevilla.
You in Dark and the I the sun that's hot,
loan me your parasol.
I'll wear my jealous reflection,
juice of lemon and lime-
and your words,
your sinful little words-
will swim around awhile.
Oranges
do not grow in the sea,
Ay, love!
And there is no love in Sevilla!
Federico García Lorca
I loved you once...
I loved you once: perhaps that love has yet
To die down thoroughly within my soul;
But let it not dismay you any longer;
I have no wish to cause you any sorrow.
I loved you wordlessly, without a hope,
By shyness tortured, or by jealousy.
I loved you with such tenderness and candor
And pray God grants you to be loved that way again.
A. S. Pushkin
I loved you once: perhaps that love has yet
To die down thoroughly within my soul;
But let it not dismay you any longer;
I have no wish to cause you any sorrow.
I loved you wordlessly, without a hope,
By shyness tortured, or by jealousy.
I loved you with such tenderness and candor
And pray God grants you to be loved that way again.
A. S. Pushkin
I am Not Alone
The night, it is deserted
from the mountains to the sea.
But I, the one who rocks you,
I am not alone!
The sky, it is deserted
for the moon falls to the sea.
But I, the one who holds you,
I am not alone !
The world, it is deserted.
All flesh is sad you see.
But I, the one who hugs you,
I am not alone!
Gabriela Mistral
The night, it is deserted
from the mountains to the sea.
But I, the one who rocks you,
I am not alone!
The sky, it is deserted
for the moon falls to the sea.
But I, the one who holds you,
I am not alone !
The world, it is deserted.
All flesh is sad you see.
But I, the one who hugs you,
I am not alone!
Gabriela Mistral
Monday, December 13, 2010
Always for the First Time
Always for the first time
Hardly do I know you by sight
You return at some hour of the night to a house at an angle to my window
A wholly imaginary house
It is there that from one second to the next
In the inviolate darkness
I anticipate once more the fascinating rift occurring
The one and only rift
In the facade and in my heart
The closer I come to you
In reality
The more the key sings at the door of the unknown room
Where you appear alone before me
At first you coalesce entirely with the brightness
The elusive angle of a curtain
It's a field of jasmine I gazed upon at dawn on a road in the vicinity of Grasse
With the diagonal slant of its girls picking
Behind them the dark falling wing of the plants stripped bare
Before them a T-square of dazzling light
The curtain invisibly raised
In a frenzy all the flowers swarm back in
It is you at grips with that too long hour never dim enough until sleep
You as though you could be
The same except that I shall perhaps never meet you
You pretend not to know I am watching you
Marvelously I am no longer sure you know
You idleness brings tears to my eyes
A swarm of interpretations surrounds each of your gestures
It's a honeydew hunt
There are rocking chairs on a deck there are branches that may well scratch you in the forest
There are in a shop window in the rue Notre-Dame-de-Lorette
Two lovely crossed legs caught in long stockings
Flaring out in the center of a great white clover
There is a silken ladder rolled out over the ivy
There is
By my leaning over the precipice
Of your presence and your absence in hopeless fusion
My finding the secret
Of loving you
Always for the first time
Andre Breton
Saturday, March 27, 2010
A Love Song
Reject me not if I should say to you
I do forget the sounding of your voice,
I do forget your eyes that searching through
The mists perceive our marriage, and rejoice.
Yet, when the apple-blossom opens wide
Under the pallid moonlight’s fingering,
I see your blanched face at my breast, and hide
My eyes from diligent work, malingering.
Ah, then, upon my bedroom I do draw
The blind to hide the garden, where the moon
Enjoys the open blossoms as they straw
Their beauty for his taking, boon for boon.
And I do lift my aching arms to you,
And I do lift my anguished, avid breast,
And I do weep for very pain of you,
And fling myself at the doors of sleep, for rest.
And I do toss through the troubled night for you,
Dreaming your yielded mouth is given to mine,
Feeling your strong breast carry me on into
The peace where sleep is stronger even than wine.
DH Lawrence
Reject me not if I should say to you
I do forget the sounding of your voice,
I do forget your eyes that searching through
The mists perceive our marriage, and rejoice.
Yet, when the apple-blossom opens wide
Under the pallid moonlight’s fingering,
I see your blanched face at my breast, and hide
My eyes from diligent work, malingering.
Ah, then, upon my bedroom I do draw
The blind to hide the garden, where the moon
Enjoys the open blossoms as they straw
Their beauty for his taking, boon for boon.
And I do lift my aching arms to you,
And I do lift my anguished, avid breast,
And I do weep for very pain of you,
And fling myself at the doors of sleep, for rest.
And I do toss through the troubled night for you,
Dreaming your yielded mouth is given to mine,
Feeling your strong breast carry me on into
The peace where sleep is stronger even than wine.
DH Lawrence
The Faithless Wife
So I took her to the river
believing she was a maiden,
but she already had a husband.
It was on St. James night
and almost as if I was obliged to.
The lanterns went out
and the crickets lighted up.
In the farthest street corners
I touched her sleeping breasts
and they opened to me suddenly
like spikes of hyacinth.
The starch of her petticoat
sounded in my ears
like a piece of silk
rent by ten knives.
Without silver light on their foliage
the trees had grown larger
and a horizon of dogs
barked very far from the river.
Past the blackberries,
the reeds and the hawthorne
underneath her cluster of hair
I made a hollow in the earth
I took off my tie,
she too off her dress.
I, my belt with the revolver,
She, her four bodices.
Nor nard nor mother-o’-pearl
have skin so fine,
nor does glass with silver
shine with such brilliance.
Her thighs slipped away from me
like startled fish,
half full of fire,
half full of cold.
That night I ran
on the best of roads
mounted on a nacre mare
without bridle stirrups.
As a man, I won’t repeat
the things she said to me.
The light of understanding
has made me more discreet.
Smeared with sand and kisses
I took her away from the river.
The swords of the lilies
battled with the air.
I behaved like what I am,
like a proper gypsy.
I gave her a large sewing basket,
of straw-colored satin,
but I did not fall in love
for although she had a husband
she told me she was a maiden
when I took her to the river.
Federico García Lorca
So I took her to the river
believing she was a maiden,
but she already had a husband.
It was on St. James night
and almost as if I was obliged to.
The lanterns went out
and the crickets lighted up.
In the farthest street corners
I touched her sleeping breasts
and they opened to me suddenly
like spikes of hyacinth.
The starch of her petticoat
sounded in my ears
like a piece of silk
rent by ten knives.
Without silver light on their foliage
the trees had grown larger
and a horizon of dogs
barked very far from the river.
Past the blackberries,
the reeds and the hawthorne
underneath her cluster of hair
I made a hollow in the earth
I took off my tie,
she too off her dress.
I, my belt with the revolver,
She, her four bodices.
Nor nard nor mother-o’-pearl
have skin so fine,
nor does glass with silver
shine with such brilliance.
Her thighs slipped away from me
like startled fish,
half full of fire,
half full of cold.
That night I ran
on the best of roads
mounted on a nacre mare
without bridle stirrups.
As a man, I won’t repeat
the things she said to me.
The light of understanding
has made me more discreet.
Smeared with sand and kisses
I took her away from the river.
The swords of the lilies
battled with the air.
I behaved like what I am,
like a proper gypsy.
I gave her a large sewing basket,
of straw-colored satin,
but I did not fall in love
for although she had a husband
she told me she was a maiden
when I took her to the river.
Federico García Lorca
Lady Love
She is standing on my eyelids
And her hair is in my hair
She has the color of my eye
She has the body of my hand
In my shade she is engulfed
As a stone against the sky
She will never close her eyes
And she does not let me sleep
And her dreams in the bright day
Make the suns evaporate
And me laugh cry and laugh
Speak when I have nothing to say
Paul Eluard
Another Birth
My whole being is a dark chant
which will carry you
perpetuating you
to the dawn of eternal growths and blossoming
in this chant I sighed you sighed
in this chant
I grafted you to the tree to the water to the fire.
Life is perhaps
a long street through which a woman holding
a basket passes every day
Life is perhaps
a rope with which a man hangs himself from a branch
life is perhaps a child returning home from school.
Life is perhaps lighting up a cigarette
in the narcotic repose between two love-makings
or the absent gaze of a passerby
who takes off his hat to another passerby
with a meaningless smile and a good morning .
Life is perhaps that enclosed moment
when my gaze destroys itself in the pupil of your eyes
and it is in the feeling
which I will put into the Moon's impression
and the Night's perception.
In a room as big as loneliness
my heart
which is as big as love
looks at the simple pretexts of its happiness
at the beautiful decay of flowers in the vase
at the sapling you planted in our garden
and the song of canaries
which sing to the size of a window.
Ah
this is my lot
this is my lot
my lot is
a sky which is taken away at the drop of a curtain
my lot is going down a flight of disused stairs
a regain something amid putrefaction and nostalgia
my lot is a sad promenade in the garden of memories
and dying in the grief of a voice which tells me
I love
your hands.
I will plant my hands in the garden
I will grow I know I know I know
and swallows will lay eggs
in the hollow of my ink-stained hands.
I shall wear
a pair of twin cherries as ear-rings
and I shall put dahlia petals on my finger-nails
there is an alley
where the boys who were in love with me
still loiter with the same unkempt hair
thin necks and bony legs
and think of the innocent smiles of a little girl
who was blown away by the wind one night.
There is an alley
which my heart has stolen
from the streets of my childhood.
The journey of a form along the line of time
inseminating the line of time with the form
a form conscious of an image
coming back from a feast in a mirror
And it is in this way
that someone dies
and someone lives on.
No fisherman shall ever find a pearl in a small brook
which empties into a pool.
I know a sad little fairy
who lives in an ocean
and ever so softly
plays her heart into a magic flute
a sad little fairy
who dies with one kiss each night
and is reborn with one kiss each dawn.
Forugh Farrokhzad
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Serenata The night soaks itself along the shore of the river and in Lolita's breasts the branches die of love. The branche...
-
If You Forget Me I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow au...
-
The Absence I speak to you across cities I speak to you across plains My mouth is upon your pillow Both faces of the walls come...
-
Saturday Paseo: Adelina Oranges do not grow in the sea neither is there love in Sevilla. You in Dark and the I the sun that's...